What the Catalogue Did Not List
November 2, 1989
People watching the solid rhythms of Henry Moore at the Orangerie, are sculpturing themselves into the exhibition. an interplay, abstract to actual. They move and look and point and talk. choreographing themselves to complement the sensuous marble and hieratic bronze. Upon these terraces they photograph each other. flesh against stone. A child softens a chiseled angle with curious fingertips.