One of 2013's most expensive books may also be one of the most beautiful

John James Audubon's 'The Birds of America' has a list price of $350, but the beautiful illustrations easily justify the price.

The 2013 edition of John James Audubon's 'The Birds of America' costs $350. The price for the original four volumes – published between 1827 and 1838 – was $1,000 at the time, or, about $23,000 in today's dollars.
|
Courtesy of W.W. Norton
Night Heron
|
Courtesy of W.W. Norton
Mallard Duck
|
Courtesy of W.W. Norton
Reddish Egret

Although there’s no official word from the publishing industry about what ranks as the most expensive new retail book of 2013, here’s a leading candidate: a new edition of John James Audubon’s “The Birds of America” that W.W. Norton & Company released this autumn for a list price of $350.

Little wonder that Norton’s Audubon book carries such a handsome price tag. “The Birds of America” has a long history of sticker shock. Audubon first issued his lavish collection of 435 bird prints in four volumes between 1827 and 1838. The books were massive, with pages more than two feet wide and more than a yard high, a design meant to accommodate Audubon’s desire to depict even big birds life-size. Because of their scale, and the exacting production values, Audubon’s first edition of “The Birds of America” costs $1,000 a set – about $23,000 in today’s dollars. Only large institutions and the very wealthy could afford that edition but a smaller, cheaper edition served a broader audience, helping to establish Audubon’s fortune.

After Audubon’s death in 1851, his son, John Woodhouse Audubon, in collaboration with New York printer Julius Bien, attempted to publish another version of “The Birds of America” using a new printing technology called chromolithography. He hoped the emerging technique would bring another dimension to his father’s art. But the Civil War disrupted the project, which eventually ended in financial ruin. Only 150 plates were produced.

This fall, Norton published “John James Audubon: The Birds of America: The Bien Chromolithographic Edition,” billed as the first complete reproduction of the Bien chromolithographs. Joel Oppenheimer, an art conservator who’s one of the nation’s foremost Audubon authorities, oversaw the project and wrote the text for the book.  

Although not as large as Audubon’s original edition of “The Birds of America,” Oppenheimer’s version is still a biggie. It weighs 33 pounds, with pages that are more than 20 inches tall and 13 inches wide. The book features blockbuster production values, with designer paper from Italy, where the volume was printed.

At $350, this new Audubon book might, indeed,  be the most expensive new retail title of 2014.

But it could also be the most beautiful.

 Danny Heitman, a columnist for The Advocate newspaper in Louisiana, is the author of “A Summer of Birds: John James Audubon at Oakley House.”

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to One of 2013's most expensive books may also be one of the most beautiful
Read this article in
https://www.csmonitor.com/Books/chapter-and-verse/2013/1224/One-of-2013-s-most-expensive-books-may-also-be-one-of-the-most-beautiful
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe