Rihanna to star in 'Valerian': How Luc Besson's work separates itself

Besson is adapting 'Valérian and the City of a Thousand Planets' from a graphic novel, but some of his most well-known science fiction movies like 'Lucy' and 'The Fifth Element' have been more original stories.

|
Thibault Camus/AP
Rihanna will reportedly star in the movie 'Valérian.'

Singer Rihanna will reportedly star in the upcoming science fiction film, “Valérian and the City of a Thousand Planets.”

She has previously appeared in such films as “Battleship” and the animated movie, “Home.”

“Valérian” is adapted from a graphic novel by Jean-Claude Mezieres and Pierre Christin. “The Amazing Spider-Man 2” actor Dane DeHaan, Cara Delevingne of “Pan,” and actor Clive Owen are all set to star in the movie as well.

Besson has directed films of various genres, including the 1994 crime movie, “The Professional,” and the 2013 mafia movie, “The Family.” But Besson has also directed several high-profile science fiction movies, including last year’s movie, “Lucy,” and the 1997 film, “The Fifth Element,” making his one of the most familiar director’s names to sci-fi fans today. 

While “Valérian” is an adaptation of a graphic novel, “Lucy” and his movie “The Fifth Element” are original stories. Many recent high-profile science fiction projects aren’t based on original ideas. While the world of “Star Wars” was new back in 1977, the continuing film series are, of course, sequels and based on the characters already written by others. This year’s hit, “The Martian,” was based on a novel, as was the 2014 movie, “Edge of Tomorrow.” 

Creating a new science fiction movie based on an original story is not a sure proposition. In 2014, director Christopher Nolan had a hit with the movie, “Interstellar,” and Alfonso Cuaron’s 2013 movie, “Gravity,” also scored.

But this year’s movie, “Jupiter Ascending,” which was written by the Wachowski siblings of the acclaimed movie, “The Matrix,” was panned by critics and did not do well at the box office. 2013’s “Elysium” and this year’s “Chappie,” the newest movies dreamed up by Neill Blomkamp of the well-received science fiction movie, “District 9,” also did not meet with good reviews or positive box office results. 

What would make an original science fiction movie good today?

Prior to its release, “Jupiter,” to examine one film, attracted attention because it’s a big-budget movie based on an original story, a rarity in general in Hollywood today. As with any movie, an original science fiction movie would need an intriguing storyline. The storyline in particular of “Jupiter” was criticized by critics, with Manohla Dargis of The New York Times writing that “the mind reels from some of the mildewy storytelling… the tale is at once baroque and corny” and the Los Angeles Times’ Kenneth Turan writing that “the plot details are more than usually derivative.”

Writing an original story that catches audience members’ imagination is easier said than done. But one of the most acclaimed science fiction movies of recent years was Pixar’s animated film, “WALL-E,” which centers on a robot living many years in our future during a time when humans have abandoned Earth. Critics praised its story and the film was nominated for the best original screenplay Oscar, a category more often populated by live-action movies. 

Focusing on story may be the key to success for future science fiction screenwriters, whether it’s Besson, turning again to an original story, or another scribe.

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to Rihanna to star in 'Valerian': How Luc Besson's work separates itself
Read this article in
https://www.csmonitor.com/The-Culture/Culture-Cafe/2015/1029/Rihanna-to-star-in-Valerian-How-Luc-Besson-s-work-separates-itself
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe