2022
March
14
Monday

Monitor Daily Podcast

March 14, 2022
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Amelia Newcomb
Senior editor

Talking about Ukraine’s art treasures might not seem the most pressing issue as Ukraine throws its all into fighting Russia’s invasion. But art was at the heart of a conversation I had last week with the Monitor’s Martin Kuz, who has been reporting in country for several weeks. It was prompted by eye-catching pictures of volunteers and officials of Lviv’s Andrey Sheptytsky National Museum taking time to protect their artistic heritage even as their world was being upended. They were whisking away large paintings, emptying display cabinets, and, nearby, wrapping statues in fireproof padding.

Such care emerges amid crisis the world over, be it London in World War II or Timbuktu in 2012. It’s clearly motivated by far more than objects’ sheer beauty or financial value. So Martin reached out to Olha Honchar, director of Lviv’s “Territory of Terror” museum, and put our question to her: Why?

In many ways, the answer is simple: Art tells our stories. “Arts and culture are essential to Ukrainian identity,” Ms. Honchar said, as she and Martin sat in her museum office in Lviv’s central square. “Part of our identity is the history of terror and the pressure of oppressive regimes on our people.” As she took note of Ukrainian soldiers walking by her window, she added, “And we see that happening again.”

Growing up, Ms. Honchar heard family stories of the suffering under Soviet and Nazi regimes that the museum now bears witness to. It’s “surreal,” she says, to be leading a museum devoted to recording tyranny as Russia seeks once again to claim Ukraine.

But it is also galvanizing. Art is often targeted in war; its destruction can demoralize civilians and eliminate national stories that conquerors may not like. The museum’s collection includes archival photos and documents, oral and video histories of survivors, and “decommunized” Soviet monuments. Ms. Honchar was clear she will do everything she can to prevent its erasure – including by helping organize a Museum Crisis Fund that so far has helped 25 Ukrainian institutions as well as 150 museum workers. 

“I want to be here documenting the story of Ukraine,” she told Martin. “This is what I do, who I am. It’s important to explain, especially at this really hard time, that Ukraine is not Russia. Ukraine has its own music and literature, its own art. We have to preserve those things as part of preserving who we are.”


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Today’s stories

And why we wrote them

Scott Peterson/Getty Images/The Christian Science Monitor
Svitlana Klimenko is inside her neighborhood's Soviet-era bunker, reopened for the first time in 70 years, in the strategic port city of Mykolaiv, Ukraine, March 9, 2022. While she hopes Mykolaiv's defenders prevent Russian forces from taking the city, she fears the city, and its architecture, will be destroyed by the war.
Keith Srakocic/AP/File
Customer Andrea Schry (right) and Dukes Sport Shop employee Missy Morosky fill out the legal forms required for Ms. Schry to buy a handgun, March 25, 2020, in New Castle, Pennsylvania. “Gun ownership isn’t a foreign planet to women any longer,” says Carrie Lightfoot, founder of The Well Armed Woman, which sells merchandise tailored to female gun owners.
SOURCE:

“Firearm Purchasing During the COVID-19 Pandemic: Results From the 2021 National Firearms Survey”; Annals of Internal Medicine; Matthew Miller, Wilson Zhang, Deborah Azrael; 2022

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Jacob Turcotte/Staff
Courtesy of Supriyo Chakraborty
Supriyo Chakraborty (right) and Abhay Dang's nuptials this past December included rituals representing both their cultures, Bengali and Punjabi.

Book review


The Monitor's View

Reuters/file
An ear of wheat is seen in a field in Ukraine, a major global producer of wheat.

A Christian Science Perspective

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Alberto Gagliardi/iStock/Getty Images

A message of love

Ashwini Bhatia/AP
Village women compete in a tug of war in the compound of a Hindu temple at Hungloh village, south of Dharamshala, India, March 14, 2022.
( The illustrations in today’s Monitor Daily are by Karen Norris. )

A look ahead

Thank you for joining us today. We wanted to share an update on Fahad Shah, who writes for the Monitor from Kashmir and is editor of The Kashmir Walla. Mr. Shah has been jailed by Kashmiri authorities since Feb. 4 for reporting honestly about events in Kashmir. He has been granted bail repeatedly, only to be immediately rearrested. He has now been booked under the Unlawful Activities (Prevention) Act in the case registered against the magazine, according to a Kashmir Walla statement. The Kashmir Walla staff writes, “As the team stands by Fahad and his family, we reiterate our appeal to the [Jammu and Kashmir administration led by Lt. Gov. Manoj Sinha] for the immediate release of Fahad.” The Monitor stands by Mr. Shah and his editorial staff, and joins them in calling for his release.

More issues

2022
March
14
Monday
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